Site Map
- Contemporary Dance in Tokyo - Performances, Classes & Artist Programmes
- Live Navi :
B1F Performance Information - 35th Anniversary Festival - Memory and Future (September 2026, archive)
- Messages for the 35th Anniversary
- Dance Class
- Contemporary Dance Classes
- Dance Class Reservation Form
- Workshops & Intensives
- Children's Ballet
- Ballet Classes
- Japanese Traditional Dance (Nihon Buyo)
- Teacher profiles
- Naoko Ito - Contemporary Dance | Dance Basic: Exploration / Beginners
- Ryohei Kondo - Contemporary Dance | Movement Inspiration
- Taiju Matsumoto - Contemporary Dance | Release Technique (Beginner / Regular)
- Kaho Kogure - Contemporary Dance | Movement Research
- Asami Ida - Contemporary Dance | Cell Stretch
- Tomoko Hirata - Contemporary Dance | Dance Technique Foundations (supervisor and teacher)
- Tatsukuni Ikegami - Contemporary Dance | Contemporary Contact Technique
- Yuko Hashimoto - Contemporary Dance | Somatic Dance 2026-2027 (LBMS)
- Jun Morii - Contemporary Dance | Contemporary Dance Open Class
- Yasuyo Omoto - Ballet and Children's Ballet | Adult Ballet / lead teacher for Children's Ballet
- Akiyo Ando - Ballet | Beginner Ballet
- Sengiku Bando - Nihon Buyo | Nihon Buyo Open Class
- Shigeri Ichikawa - Children's Ballet | Omoto Children's Ballet
- Minami Izuya - Children's Ballet | Omoto Children's Ballet
- Yukari Ota - Contemporary Dance (series) | Release Exercise / Release & Flow Technique
- Ryoko Sugimoto - Contemporary Dance (series) | Anatomy + Pilates for Dance
- Koji Mizuta - Contemporary Dance (series) | Cunningham Technique
- Gallery :
Session House 2F Garden - Croquis :Croquis where dancers are models
- Ichie Watanabe Talk Series :Listen to the Voices of Fukushima
- Ichie Watanabe Talk Series :Past Editions
- Session Online Theater
- Contemporary Dance Video Archive
- Perform Here : Opportunities for artists
- Space rental
- Equipment
- Visitor Guide
- Map Access
- About Us
- Profile of Naoko Ito
- About Contemporary dance
- Our History 1991-2026
- Annual Reports & Voice of Session House
- Voice of Session House 2025
- Naoko Ito: Toward Our 35th Anniversary
- Mitsutake Kasai: A Year Dancing the Ninth
- Wataru Kitao: The Importance of Dancing Live
- Takahiro Mochizuki: Gifts from Sensei-tionals
- Mayuko Akimoto: My First Overseas Performance
- Shunsuke Nabeshima: Three Years of Korean Dance Exchange
- Yasuyo Omoto: 35 Years with Session House
- Eighteen Years of the Chatty Art Exhibition
- Takashi Ito: Why We Named It Session House
- Miho Ishizeki: Thoughts from Working in Lighting
- My 35 Years at Session House
- Natsumi Hasushi: Sound Teaches Us
- Ayaka Hara: Working at Session House
- Looking Back on Session House’s 35 Years
- Session House Award Winners Announced
- Garden Activity Report 2025
- A Record of the 2025 Dance Program
- Voice of Session House 2024
- Naoko Ito: Our Organisation Is Beginning to Take Shape
- Sengiku Bando: Japanese Dance Across Borders
- Satoshi Ishibuchi: Dance and Music in Tokyo no Okuni
- Mitsutake Kasai: A Year of Dancing the Ninth
- Takahiro Mochizuki: Clowning and Dance
- Ryohei Kondo: Dancing RK
- Miho Ishizeki: What Is This?
- Ichie Watanabe: Fukushima Fourteen Years On
- 2024 Garden Activity Report
- 2024 Dance Programme Record
- Voice of Session House 2023
- Naoko Ito: Thirty Years of Mademoiselle Cinema
- Tamami Takenoshita: Mademoiselle Cinema and Me
- Branka Takahashi: Mado's World, the World's Mado
- Toyoaki Onogi: From Reproduction to Renewal in Kagurazaka
- Mitsutake Kasai: Looking Back on 25 Years of Dance
- Takahiro Mochizuki: Zoom Reflection Session Report
- Moe Sugawa: What Boiling Mind Aimed to Do
- Taiju Matsumoto: What I Learn While Teaching Classes
- Garden 2023: Activity Report and Croquis Reflections
- A Record of the 2023 Dance Program
- Voice of Session House 2022
- Interview with Ryohei Kondo
- Mitsutake Kasai: Thoughts Since 2020
- Akira Kasai: Questioning Reality
- Kentaro Kujirai: Song of Akasha
- Tamami Takenoshita: A Hundred Years from Now
- Takahiro Mochizuki: Dance Bridge 2022
- Yasuyo Omoto: Dancing the Swan
- Toyoaki Onogi: Hopes for Collaboration
- 2022 Dance Programme Record
- 2022 Garden Activity Report
- Ichie Watanabe: Eleven Years of Fukushima Voices
- Voice of Session House 2021
- Ryohei Kondo: Large and Small Theaters
- Mitsutake Kasai: Two Works During the Pandemic
- Shintaro Hirahara: A Choreographer's Presence
- Naoko Ito: The Third Pandemic Year
- Sakiko Yokoo: A Voice from Mexico
- Ami Chong: A Body Crossing Borders
- 2021 Dance Program Record
- 2021 Garden Activities Report
- Voice of Session House 2020
- Ryohei Kondo: What Has Changed This Past Year?
- Naoko Ito: Living Through the Pandemic
- Mitsutake Kasai: Facing a Year of Great Change
- Yo Nakamura: 2020, Dance, and Me
- Tamami Takenoshita: The Dancing Light Never Sleeps
- Shiori Nakajima: Closer to Session House in 2020
- Satoshi Ishibuchi: Online Dance and Bodily Awareness
- Michitaka Ueda: Infinity Within Limits
- Remembering Itaru Oki: Under the Paris Sky
- Kenzo Kusuda's Letters from the Netherlands
- 2020 Dance Program Record
- 2020 Garden Activity Report
- Annual Report 2018: Contemporary Dancers Speak Out
- Taiju Matsumoto: Children’s Theater for Grown-ups Too
- Ryohei Kondo: KONDO Theater with Commentary
- Yo Nakamura: The Anger Behind Hospitality
- Mitsutake Kasai: Discoveries Through Exchanges Between Works
- Baraba Okuyama: The Art of the Interval
- Ryu Suzuki: What L.A.B. Aims For
- Mako Egami’s Juliet: Session House Challenge Award 2018
- Ringo Project Report: Tosaka Project — THE ORIGIN 2
- Mademoiselle Cinema: Power of the Forest
- Moe Sugawa: Crossing the Sea — Back Then, I Was a Child
- Chikako Kaido: What It Means to Choreograph in Germany
- Asami Ida: What Drives Me
- A Record of the 2018 Dance Program
- Remembering Toshinori Takagi
- Garden Activities Report 2018
- Artists
- Reservation
- Contact Form
